This is one of the rare slips in a book that is almost always accurate as well as acute. It was a nice 115 page break from a lot of the Learned a lot from this book. As a commercial for an internet provider form a few years ago implied, the day is coming when anyone will be able to watch any film ever made, anytime, anywhere. But they are stories in both cases, and there are very few films, even in avant-garde art, that don't imply or quietly slip into narrative. There's no popularizing or posturing here. Indeed, many condemn movies as an instrument of illusion, an emphatic way of seeing what is not there. But she also works harder in another sense, since she has a whole surrounding world to create, and all the syntax is in her head rather than on the screen.
There are interesting accounts of the beginnings of film, a short overview of critical moments in national cinemas, from Weimar Germany to Italian neo-realism and the French new wave and much, much more. But from time to time cinematic style impinges on the books I read, so occasionally I have felt the need to find out more about this art form. In this Very Short Introduction Michael Wood provides a brief history and examination of the nature of the medium of film, considering its role and impact on society as well as its future in the digital age. As exactly what will be given by this Film: A Very Short Introduction, By Michael Wood, just how can you haggle with the many things that has lots of perks for you? In this Very Short Introduction Michael Wood provides a brief history and examination of the nature of the medium of film, considering its role and impact on society as well as its future in the digital age. You really don't have to be familiar with any of these references to appreciate his keen insights, however. Both aspects of Wyler's film are true and if they clash, that's where the critic's job begins.
I was looking for an acknowledgement of the vastness of the film universe, from Sunrise 1927, F W Murnau to A Pigeon Sat on a Branch Contemplating Existence 2014, Roy Andersson to Transformers : Revenge of the Fallen Michael Bay, 2011 to Tumbling Doll of Flesh 1998, Tamakichi Anaru to Nude Nuns with Big Guns 2010, Joseph Guzman. But what about the reverse proposition: that more than any other invention film brings us close to the world as it actually is? While reading this book I listened to several different film soundtracks, and this combination added to my overall positive experience with this book. Perhaps Film, a Very Short Introduction might persuade me that I should invest more time in watching film? The same claim is made every day, albeit less epigrammatically, by newsreels and surveillance cameras. Now, almost 40 years later, we have Wood's Film: a Very Short Introduction. The book is very discursive and almost philosophical, with a very strong humanities flavor. But the author here spends a ridiculous amount of time talking about obscure films that even the most ardent and well-viewed fans of cinema haven't heard of, and haven't left a discernible mark on cinema. In this respect, the book is reminiscent of the work of V.
Also Michael Wood is a guy who is referring constantly to the hallowed magical pantheon of indisputable cinema masterpieces like The Passion of Joan of Arc, Land without Bread, Battleship Potemkin, you know, the usual suspects, a number of which I have inexplicably failed to see. After downloading the soft file of this Film: A Very Short Introduction, By Michael Wood, you can begin to read it. To read the rest of my review please visit Learned a lot from this book. Any such book would require significant cuts and exclusions, and a very judicious choice of material for inclusion. There are films for all kinds of people and sometimes we all like to think that we are experts in this or that genre. But hey, Michael, if you're reading this, Happy Christmas! The book is as informative as promised in the title, that is, introductory.
There's no popularizing or posturing here. Movies are also in the act, routinely spinning threadbare material think Bridesmaids into bloated, overlong surfeits. And this is what Film: A Very Short Introduction does. I thought she was usually wrong about films she liked, usually pretty disastrously, and pretty right about films she disliked. Anyone who picks this up will get something out of it.
Talking of Hollywood… did you know that In 1914, 90% of the films distributed internationally in the world were French; by 1928, 85% were American? And even you are working in the workplace; you could still make use of the computer system to check out Film: A Very Short Introduction, By Michael Wood totally. Librarian Note: There is more than one author in the GoodReads database with this name. But what about the reverse proposition: that more than any other invention film brings us close to the world as it actually is? He writes regularly for The New York Review of Books and on film for the London Review of Books. The stories are often quite false, frankly and beautifully fantastic, and they are sometimes insistently said to be true. He also explores the 'death of film' here, where we all become streaming this book does an excellent job of digging into some philosophical issues of film without boring you. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
All inquiries should be made to the copyright owner Lisa Hill at anzlitloversatbigponddotcom or as attributed on individual blog posts. See all 1 customer reviews. There were brief brilliant parts here and there, but it was a disappointing read overall. A fellow student reminds him that he is supposed to fight a duel at three o'clock that afternoon. I saw Gone with the Wind that year too, but even then I was uneasy about how this great American classic treats the African American characters. In this Very Short Introduction, Michael Wood offers a wealth of insight into the nature of film, considering its role and impact on society as well as its future in the digital age.
Constantly, if not excessively rambling, Michael Wood comes off well-intended but frequently misguided in his teachings about 20th century film. This story element is important, and is closely connected with the simplest fact about moving pictures: they do move. It is interesting, even captivating, and if you want to be introduced to film, that's a way to start. To be fair, the topic is almost impossible to contain in such a small book, and it was a poor choice on my behalf as I was looking for something different. The same claim is made every day, albeit less epigrammatically, by newsreels and surveillance cameras.